The talented musician, a key member of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.
Together with vocalist Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their first record their initial full-length release is regarded as a classic of electronic music.
He later formed the pioneering electronic act The Grid, who achieved chart success with 1994's Swamp Thing.
Ball passed away calmly in his sleep at his residence in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.
At that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a period of ill-health.
"I ended up damage myself quite a bit," he stated in a recent interview. "I broke lower vertebrae in my back and cracked about five ribs and broke my arm."
After contracting a lung infection and developing blood poisoning, he was put in an induced coma and stayed in the hospital for half a year.
Nevertheless, he had been in "high spirits mentally" during the summer, as he worked on a fresh record with Almond, titled the upcoming Danceteria, which is set for release next year.
"He was concentrated and so happy with the latest project that we literally completed only a short time ago," said the singer in a tribute.
"It's so sad as next year was completely planned to be such an positive year for him, and I take some solace from the fact that he listened to the completed album and felt that it was a great piece of work."
Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.
"Many thanks Dave for being an significant part of my existence and for the music you created with me. I couldn't be where I am without your influence."
Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".
"Being in a duo with someone is distinct from being in a band, the connection is incredibly close," he added.
"That was the case with us. We went through so many remarkable, extraordinary, life-affirming experiences together. Many thanks, Dave."
Born into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months old.
He grew up in the seaside town with adoptive parents his caregivers, who altered his given name from his birth name to his adopted name, alongside his younger sister his sister, who was similarly welcomed.
He met Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly recorded an extended play.
The duo were an unusual combination: Ball was the quiet technician, hunched over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they achieved a rare musical alchemy.
Ball had cultivated a interest with electronic instruments after viewing Kraftwerk appear on BBC science show Tomorrow's World, and started to combine dark electronica to the soaring melodies Almond was writing.
Their signature song became the UK's second most popular single of the early 80s, shifting millions of copies globally. Alongside successful tracks by Gary Numan, contemporary bands and Ultravox, it helped paved the way for the electronic music style of the 80s.
The song was also included on their first album, Non-Stop Erotic Cabaret, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.
They continued the record up with the stand-alone single, Torch, which reached at the second position in 1982.
Fame had its upsides. "I enjoyed being able to purchase my first home, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago told with a publication.
But it also presented problems. "Sudden riches meant we could afford substances to relieve the monotony" of media interviews and television shows, Ball explained.
"I realize that's a cliché, but it's a truism for a good reason, because it works for so many bands."
During the party-filled existence, the duo were also growing distant, but they managed to create a follow-up memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.
They released one more album, their 1984 release This Last Night In Sodom, before ending the band to focus on other projects.
Almond went on to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a long-lasting collaboration.
Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.
Following a further hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, 2018.
Yet, they stayed together, recording their latest project, Happiness Not Included, during the 2020 restrictions.
Ball lately described the band's upcoming release as a homage to the New York club scene they frequented while making their first two albums.
He noted that his time in hospital had influenced the group's music.
"I had strange recollections when I was in and out of hospital because I was on morphine," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from that time.
"Simultaneously, it's about the times we had in the 1980s."
The final mixes were finished only days before Ball died. It is scheduled for launch in Spring 2026.
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Arthur Perry
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