A digital rights organization has stated to have harvested millions of tracks from Spotify and is getting ready to publish them publicly.
Industry experts said the seeming leak could boost artificial intelligence firms searching for material to train their models.
An entity known as Anna’s Archive reported it had scraped 86 million music files from the platform and 256 million rows of associated data such as artist and record names. The company, which carries more than 100 million tracks, confirmed that the leak did not represent its full catalog.
“We have located and deactivated the nefarious user accounts that were involved in unlawful scraping,” stated a Spotify spokesperson.
The Stockholm-based company, which has more than 700 million users worldwide, added that an investigation into unauthorised access identified a external actor collected public metadata and employed questionable methods to circumvent DRM [digital rights management].
The streaming service does not think the music taken by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to pirated books, said in a blog it wanted to create a ‘historical repository’ for music.
They asserted the music files accounted for 99.6% of all music listened to by its listeners and would be shared via ‘peer-to-peer networks’, a method of exchanging large data files online.
“Of course Spotify doesn’t have all the music in the world, but it’s a fantastic beginning,” said Anna’s Archive, which frames its mission as “safeguarding humanity’s knowledge and culture”.
Ed Newton-Rex for defending artists’ rights, remarked the breached music would probably be used for developing artificial intelligence systems.
“Educating models on pirated data is sadly widespread in the AI industry, so this accessed music is almost certain to be used instructing AI models,” he stated.
The Anna’s Archive site makes references to a large online archive, a vast online repository of copyrighted books that has reportedly been used by Meta to train its systems.
The co-founder of an AI startup wrote on LinkedIn that individuals of the public could in theory “create their own personal free equivalent of Spotify”. He said it could also enable tech companies to “train on contemporary music at scale”.
Copyright has emerged as a key issue between artists, authors and creatives on one side and tech giants on the other.
In the UK, artists and writers have protested against a ministerial suggestion to let AI companies utilize protected work without permission unless the rights holder signals. Virtually every participant to a government call for evidence on the proposal has backed artists’ concerns.
The secretary of state for science, research and development told parliament this month there was “little consensus” on the matter, adding that ministers would “take the time to get this correct”. The administration has pledged to make regulatory plans on AI and copyright by next year.
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Arthur Perry
Arthur Perry